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Death in the Andes: A Novel, by Mario Vargas Llosa
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Review
“Peru's best novelist--one of the world's best.†―John Updike, The New Yorker“Well-knit social criticism as trenchant as any by Balzac or Flaubert . . . This is a novel that plumbs the heart of the Americas.†―The Washington Post Book World“Remarkable . . . a fantastically picturesque landscape of Indians and llamas, snowy peaks, hunger, and violence.†―Raymond Sokolov, The Wall Street Journal“Meticulously realistic descriptions of this high, unforgiving landscape and the haunted people who perch there . . . merge into a surreal portrait of a place both specific and universal.†―Time
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About the Author
MARIO VARGAS LLOSA was awarded the Nobel Prize in Literature in 2010 "for his cartography of structures of power and his trenchant images of the individual's resistance, revolt, and defeat." Peru's foremost writer, he has been awarded the Cervantes Prize, the Spanish-speaking world's most distinguished literary honor, and the Jerusalem Prize. His many works include The Feast of the Goat, The Bad Girl, Aunt Julia and the Scriptwriter, The War of the End of the World, and The Storyteller. He lives in London.
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Product details
Paperback: 276 pages
Publisher: Picador; 1st edition (October 2, 2007)
Language: English
ISBN-10: 0312427255
ISBN-13: 978-0312427252
Product Dimensions:
5.6 x 0.8 x 8.1 inches
Shipping Weight: 8.8 ounces (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
67 customer reviews
Amazon Best Sellers Rank:
#71,271 in Books (See Top 100 in Books)
Death in the AndesIt’s easy to see why Llosa is Peru’s most famous novelist, and why he earned the Nobel Prize, after finishing Death in the Andes.In the beginning, I didn’t like it much. It seemed very dark and overly masculine. A policeman and his assistant are stationed at a remote post in the Andes, charged with rooting out the Shining Path terrorists. The assistant entertains his boss by telling the story of his unrequited and tragic love. Meanwhile, mysterious and sinister forces in the village coalesce and make the corporal almost crazed with curiosity.Here are some of the themes, masterfully interwoven into a gripping novel:• Practices and tenets of the Shining Path, a Maoist group that wreaked havoc in Peru from the 1980s to the 2000s. I hadn’t known about their senseless brutality, or how they drove people from the highlands int cities, destroying infrastructure as they went.• How boring and oppressive life in a mining town could be.• Mixture of ancient spirituality with current life for highland villagers; belief in witchcraft, belief in “apusâ€, or spirits of the mountains, who must be appeased, etc.• Tensions between Quechua- and Spanish-speaking people, and distrust between highland and lowand groups• Widespreadness of corruption (even before druglords became more powerful)• Harshness of high-altitude climate• Power of romantic love, despite all odds• Role of storytelling in maintaining hope and creating bonds between peopleAs a female reader, I was constantly aware of the lack of women characters with whom I could identify. Also, as a North American, I very much felt like an outsider looking into an alien culture. These aren’t necessarily bad things, just something to note.It was fascinating to watch the author develop a relationshp between the policeman and the local bartender (aptly named Dionisio) and his wife. The latter are at first repulsive, embodying paganism, wild abandon, alcohol abuse, sexuality, and everything the more “civilized†policeman considers abhorrent. His obsession with solving three disappearances, however, leads him to become a more sensitive (and possibly even believing) listener. This plot line was one of the most important for an outsider like me wanting to peek inside Peruvian village life.Also, without giving anything away, be forewarned that the ending is a punch in the gut that you won’t soon forget.
Nobel Prize winner Mario Vargas Llosa continues to speak out politically in yet another realistic and uncompromising novel set in his home country of Peru. In this novel, he brings the reader face to face with the horrors of the Shining Path (Sendero Luminoso), a Maoist terror group operating in the mountains of Peru from the early 1980s to the mid-1990s, with seemingly few direct challenges from the government. The novel’s sense of immediacy, enhanced by vivid descriptions of real events affecting real people, provides a close-up look at the tactics used by the Shining Path in the central and southern mountains of Peru, where they attacked indigenous Indian peasants, all foreigners, all educated Peruvians working to improve the lives of the peasants, and anyone representing the government or police.The novel opens with an old woman, arriving at a rural Garda station to say that her husband, a foreman on a road-building crew, has disappeared. His is the third unsolved disappearance from their small mountain village in the past three weeks. Local peasants, farmers, laborers, and Indians have provided no information to the two Garda officers, Cpl. Lituma and Tomasito, his assistant, and both men worry that they are surrounded by the terrorists they are there to monitor. Tomasito himself has escaped to the mountains to avoid death at the hands of a mob leader for whom he had recently been a bodyguard – until he fell in love with his boss’s girlfriend.Without transition, the narrative suddenly shifts to a pair of adventuresome but naïve French tourists traveling through the Andes by bus. Even after masked men stop their bus, they believe that nothing can happen to them because “We are French tourists, senor.†Other story lines also evolve and broaden the scope. The attack on a town named Andromarca shows how the Shining Path operates, with local leaders captured and killed, young children sent off to join the Shining Path militia, public executions, stonings, and the attempt to establish a support base there from which the terrorists will spread their “proletarian revolution†in other directions. The attack on intellectuals and educated volunteers who work with indigenous people in the mountains becomes yet another subplot, while in still another, involving ancient cultural practices, the belief in human sacrifice to assuage the spirits becomes real.Vargas Llosa, through his many subplots, shifting time frames, and different points of view vividly presents many aspects of life – and especially death – in the Andes in the 1980s and early 1990s. The author’s insights and ability to depict people from all walks of life as they try to deal with the hit-and-run tactics of terrorists bring this period alive again, even after almost twenty years. The “pastiche approach†to this subject, which Vargas Llosa uses to great effect, allows him to create a broad panorama of life during this fraught period, but this approach lacks the strong characterizations which most other novels use to create empathy with the main characters. In its focus on the Shining Path, however, this novel provides a rare view of a terror group and its political goals and tactics, offering an important reminder of the need for vigilance.
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