Download PDF , by Janet Malcolm
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, by Janet Malcolm
Download PDF , by Janet Malcolm
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Product details
File Size: 761 KB
Print Length: 317 pages
Publisher: Farrar, Straus and Giroux (May 7, 2013)
Publication Date: May 7, 2013
Sold by: Macmillan
Language: English
ASIN: B009LRWW4U
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Amazon Best Sellers Rank:
#63,967 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
A masterful writer combined with a discussion of great artists, what a treat for someone who appreciates both.
I like reading about the art world and creativity and even if I didn't I would like to read what Janet Malcolm Writes about it. It was a nice surprise to find that one of the players in her art world drama had gone to my high school in Cincinnati and I always wondered what happened to him. The role of esoteric art critic in New York City seems to be a natural extension of who he was as an outspoken, rebellious student in an elite, college preparatory high school in the Midwest. I also find it interesting when anybody can make some sense out of the mishmash of what I view as the New York City art world. I believe Tom Wolfe is correct when he said that the word makes the message in the art world. It is not what you see is what you get it is what you see is formed by the art critic you are listening to about that piece of artwork.
I got bogged down in the VERY long essay about Artforum magazine, and I don't agree with Malcolm's enthusiasm for J.D. Salinger's writing (he's got a very narrow focus and his characters are really more petulant than anything else). But the David Salle piece which opens the collection (and furnishes its title) is a masterpiece.She also skillfully demolished the blowsy excess of the catalog of the SanFrancisco Art Museum's Diane Arbus exhibit, making the point that learning every last jot of trivia about a person does not contribute to understanding them. I will remember this line forever: "What Helen of Troy did in her spare time, and what she was "really like" as a person, are not questions that torture us."
Some people have complained here that these essays have appeared elsewhere and therefore are not "new." The truth is, most essay collections have work in them that has appeared elsewhere. That doesn't prevent this from being a riveting read. Even the ones I've read before, like the title essay, surprised me all over again. Janet Malcolm is a brilliant thinker, a cool and clear-eyed journalist, and a beautiful writer. All it takes is one paragraph before you know you're in the thrall of an authoritative, interesting voice and mind.
I love Janet Malcolm's writing style and prose and therefore can't be objective. This compilation has been fascinating. She continues to astound me with her perceptive voice and remarkable wisdom. I highly recommend this to anyone interested in the arts.
I love Janet Malcolm's work, just about every word of it, so I am unqualified to review this book. To me, reading each piece was like eating exquisite dark chocolate, superb smoked salmon, and so on: fill in the blanks with your own cherished tasty treats. I'm sorry, I just can't be objective about Janet Malcolm. But I can tell you which is my favorite: her write-up on the collection of characters (art historians, art critics, editors, and artists) who shed light on the enigma of _Artforum_ magazine in the 1980s. That may sound arcane to you, but for me, it's riveting material. She even makes Bloomsbury freshly interesting! Enough said.
Fascinating book that I will read again and again.
She is one of my favorite writers, offering such a complex, nuanced version of a story, making me think. This is a collection of essays and some of them are not so successful as her other books, but I was glad to read it.
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